0:00-0:05
|-3-3-3-3-3-3-3/--6-6-6-6-6-6-6--3-3-3-3-3-3-3/--6-6-6-6-6-6-6-|
|-5-5-5-5-5-5-5/--8-8-8-8-8-8-8--5-5-5-5-5-5-5/--8-8-8-8-8-8-8-|
|-4-4-4-4-4-4-4/--7-7-7-7-7-7-7--4-4-4-4-4-4-4/--7-7-7-7-7-7-7-|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
0:05-0:14 (Guitar 1 keeps playing the part above, while Guitar 2 plays this)
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-2-2-2-2-2-2-2---5-5-5-5-5-5-5---2-2-2-2-2-2-2---5-5-5-5-5-X-X--| x2
|-2-2-2-2-2-2-2---5-5-5-5-5-5-5---2-2-2-2-2-2-2---5-5-5-5-5-X-X--|
|-2-2-2-2-2-2-2---5-5-5-5-5-5-5---2-2-2-2-2-2-2---5-5-5-5-5-X-X--|
0:14-0:33 (Notice at the slides 2/3, 2 is held for VERY little time. Consider the "2"
as the starting place for the slide, not a seperate note. With the slide at 10 you return
the beginning of the riff.)
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------| x3
|-----------------------------------------------------------------------|
|-----------------2-----------------------------2-----------------------|
|-2-2-2---2-2-2----3--2/3------2-2-2---2-2-2----3---/10-10-10-10-----|
T = Triplets
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------1-2-3-|
|-----------------2-----------------------------2-----------------1-2-3-|
|-2-2-2---2-2-2----3--2/3------2-2-2---2-2-2----3---/10-10-10--1-2-3-|
T T T
0:33-0:53
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-1-2-3-0---------1-2-3-1-2-3-0-----1-2-3-0---------1-2-3-1-2-3-0---| x2
|-1-2-3-0---------1-2-3-1-2-3-0-----1-2-3-0---------1-2-3-1-2-3-0---|
|-1-2-3-0---------1-2-3-1-2-3-0-----1-2-3-0---------1-2-3-1-2-3-0---|
0:53-1:12 There's also a second guitar for this part (every chrorus generally), but it's
something rather minor and not very noticeable in the mix so there's no need to tab that.
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|-10-10-10-10-10-10-10-10---9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
|-10-10-10-10-10-10-10-10---9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
|-10-10-10-10-10-10-10-10---9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
(Yes, notice the strum pattern actually changes a tad bit)
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-| x3
|-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
|-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
1:13-1:26
|--------------------------------------------|
|--------------------------------------------|
|--------------------------------------------|
|-2-2-0-2-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------| x3
|-2-2-0-2-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------|
|-2-2-02-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------|
|--------------------------------------------|
|--------------------------------------------|
|--------------------------------------------|
|-2-2-0-2-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------|
|-2-2-0-2-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------|
|-2-2-02-2-0-X-X-X-X-X-X-2-2-0-2-2p0--/12--|
1:26-1:45
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------| x3
|-----------------------------------------------------------------------|
|-----------------2-----------------------------2-----------------------|
|-2-2-2---2-2-2----3--2/3------2-2-2---2-2-2----3---/10-10-10-10-----|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------2-----------------------------2-----------------------|
|-2-2-2---2-2-2----3--2/3------2-2-2---2-2-2----3---/10-10-10-10------|
1:46-2:09 (Dots = Palm mutes)
|--------------------------------------------------------------|
|-5-------------------------------------4-----4-------4------4-|
|-3-------------------------------------7-----7-------7------7-|
|-2-----0-----2--/6-----0-----5--------------------------------|
|-2-----0-----2--/6-----0-----5--------------------------------|
|-2-----0-----2--/6-----0-----5---0-0-0-----0---0-0-0-----0----|
. . . . . . . .
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-2-----0-----2--/6-----0-----5--------------------------------|
|-2-----0-----2--/6-----0-----5--------------------------------|
|-2-----0-----2--/6-----0-----5---0-2---0-2---0-1---0-1--------|
. . . .
|--------------------------------------------------------------|
|-5-------------------------------------4-----4-------4------4-|
|-3-------------------------------------7-----7-------7------7-|
|-2-----0-----2--/6-----0-----5--------------------------------|
|-2-----0-----2--/6-----0-----5--------------------------------|
|-2-----0-----2--/6-----0-----5---0-0-0-----0---0-0-0-----0----|
. . . . . . . .
The "equal" signs at the end indicate a pick scrape.
|--------------------------------------------------------------------------=|
|--------------------------------------------------------------------------=|
|--------------------------------------------------------------------------=|
|-2-----0-----2--/6----0---5-----------------------------------------------=|
|-2-----0-----2--/6----0---5-----------------------------------------------=|
|-2-----0-----2--/6----0---5--0-2---0-2---0-1---0-1---0-1---0-1---0-1---0-1=|
. . . . . . . .
2:09-2:26
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|-10-10-10-10-10-10-10-10---9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
|-10-10-10-10-10-10-10-10---9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
|-10-10-10-10-10-10-10-10---9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
(This is not how the strum pattern at this part of the song EXACTLY is, you should
that out on your own.)
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-| x3
|-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
|-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9---2-2-2-2-2-2-2---5-5-5-5-5-5-5-|
2:27-2:43
|--------------------------------------------|
|--------------------------------------------|
|--------------------------------------------|
|-2-2-0-2-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------| x4
|-2-2-0-2-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------|
|-2-2-02-2-0-X-X-X-X-X-X-2-2-0-2-2p0--------|
